13 November 2005

wE cAN dISAGREE aBOUT tASTES

bUT lISTEN tO tHIS ::
i'M a pAINTER, tHESE aRE nICE pAINTINGS aND eACH oNE mAKE mY hEART sING. aND iT' S a gREAT tHING tO sPLASH cOLORS aROUND. fREERIDING wITH bRUSHES mAKES mE fEEL gOOD. iT fEELS gOOD tO bE iN tHE aRTS. sO lET'S rOKK 'n rOLL ::

I PAINT THREE TOPICS ::
-ABSTRACT
-FLOWERS
-HEARTS
MOSTLY I PAINTED ABSTRACT, MANY FLOWERS, FEW HEARTS.
While most paintings and computer screens are wider than tall, my paintings are the opposite :: longer than high, and hAVE tHE sAME dIMENSIONS ::
3 PARTS HIGH
2 PARTS WIDE. I PAINT IN TWO SIZES ::
MODESTY AND BIG MOUTH
MODESTY ARE MY SMALL WORKS.
BIG MOUTH IS TRYING TO PAINT THE BIG PICTURE.
ALL MEASUREMENTS ARE IN CM.
MY small WORKS ARE 27x18.

MY BIG PICTURES ARE 122x81.

MY PAINTINGS ARE PAINTED ON industrial PAPER.
THE SMALL WORKS PAPER IS HIGH QUALITY PAPER MADE FOR ARTIST'S USE, MY BIG MOUTH WORK IS PAINTED ON PAPER MADE FOR INDUSTRIAL PURPOSE, USED ON CONSTRUCTION SITES, WHERE I GOT TO KNOW THIS KIND OF PAPER FIRST. as I LIKE INDUSTRIAL STUFF.
MANY OF MY PAINTINGS COME WITH A DARK TOUCH, each ARE BLACK GROUNDED INSTEAD IN WHITE.
MOST SMALL WORKS HAVE BEEN DONE IN PASTELS, FROM FABER-CASTELL, SOME SENNELIER, WINSOR & NEWTON.
THE BIG MOUTH IN ACRYLICS, FROM LASCAUX, FEW WITH WINSOR & NEWTON, REMBRANDT.
I LIKE THE SQUARE SIZE.
I LIKE MY PAINTINGS HANGED SINGLE, DOUBLE OR TRIPLE. IF THREE HANGED NEXT TO EACH OTHER, IT GIVES A DOUBLE SQUARE, WHICH I LEARNED FROM VAN GOGH. HE STARTET TO WORK WITH THAT DOUBLE SIZE FORMAT AT THE END OF HIS LIFE.
fRAMES ::
ALL MY WORKS COME UNFRAMED.
IF YOU LIKE THEM FRAMED, I LIKE THE FRAMES TO BE SQUARE.
I RECOMMEND FOR SMALL WORKS SQUARE FRAMES 40X40,
FOR THE BIG PAINTINGS 140X140 OR LARGER, as 150X150.
NO GLAS NECESSARY. IF YOU LIKE ART BETTER UNDER GLAS, it is optional.
--> tHANK yOU fOR rEADING tHIS aND cHECKING oUT mY wEBSITE aND bUYING mY pAINTINGS. fRANKLY, nO fIGHT, pLEASE aGREE wITH mE, i'm tOUGH, i pAINT pINK, sOMETIMES. tHANK You fOR yOUR tIME.